Guitar No. 3 — front view
Front View
Guitar No. 3 — figured eucalyptus back
Back View
Rosette detail, Guitar No. 3
Rosette Detail
Guitar No. 3 — side profile
Side Profile
Guitar No. 3 — headstock
Headstock
Guitar No. 3 — tuning machines
Tuners
Edward Hempton maker's label — Guitar No. 3
Maker's Label
Figured eucalyptus detail on Guitar No. 3
Eucalyptus Detail
Specifications
TopEuropean Spruce
Back & SidesAged Eucalyptus
NeckTo be confirmed
BridgeIndian Rosewood
FingerboardEbony
NutBone
SaddleBone
Scale Length650mm
Body FinishTraditional French Polish
Build MethodSpanish Tradition · Hand Tools
StringsTo be confirmed
Dimensions
Lower BoutTo be confirmed
WaistTo be confirmed
Neck Width at NutTo be confirmed
Scale Length650mm
Setup & Action
Action at 12th Fret (Bass)To be confirmed
Action at 12th Fret (Treble)To be confirmed
String Spacing at SaddleTo be confirmed
Main Resonant FrequencyTo be confirmed
Year Completed2026
Serial NumberEH-003
Maker's Notes
Guitar No. 3 is my third completed instrument. It was built entirely by hand in the Spanish tradition, using Spanish heel construction and traditional fan bracing. Every component was individually made and fitted by hand, with a traditional French polish finish.
Acoustic Response

Frequency response chart — to be added

A Note from the Maker

This instrument is a hand-built classical guitar made entirely by a single maker using traditional Spanish construction methods, including a Spanish heel joint and a hand-applied French polish finish.

Each component has been individually selected and worked by hand, including European spruce for the soundboard, eucalyptus for the back and sides, a cedar neck with an internal 10×6mm ebony reinforcing strip, and an ebony fingerboard.

The guitar was voiced and adjusted to achieve a responsive, balanced tonal character with strong bass presence, clear treble articulation, and stable intonation across the fingerboard.

Guitar No. 3 is retained as part of my portfolio and is not currently offered for sale.

A third guitar that carries everything learned in its making

The top is European spruce — responsive, clear, and capable of considerable dynamic range. The back and sides are aged eucalyptus, a wood with a rich, complex grain and a warm tonal character that complements the spruce beautifully.

Built using the Spanish heel method, the neck is integral to the body from the very first stage of construction. This traditional approach, now less common than bolt-on or dovetail joints, contributes to the resonance and tonal unity of the finished instrument.

The finish is traditional French polish — thin, acoustically transparent, and deeply beautiful in the right light.

Not Available

Guitar No. 3 is retained as part of my portfolio and is not currently offered for sale.

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